“Peter Murphy, who in 1983 had only just recently departed Bauhaus, made “some brief dabbling with acting and dance – including a slightly odd televised performance to Bauhaus’s ‘Hollow Hills.’” Dangerous Minds
Last night I met David J., from my favourite band Bauhaus. He kindly signed my copy oh his book “Who Killed Mr. Moonlight?” 😄
#davidj #bauhaus #whokilledmrmoonlight #books #bibliophile #bookstragram #goodreads #vsco #VSCOcam #vscobooks #igers #igreads #instabooks
Readings of June.
#books #bibliophile #bookstragram #junewrapup #igers #igreads #instabooks #igers_portugal #goodreads #vsco #VSCOcam #vscobooks #thirlwell #gogol #davidjhaskins #bauhaus #Steinbeck #penguin #penguinlittleblackclassics #visualeditions
The sky’s gone out. #coimbra #jardimbotânico #portugaldenorteasul #bauhaus #vsco_portugal #vscocam #vsco #igers #ig_captures #igersportugal
ABC - Revista Portuguesa
Illustration by Jorge Barradas (Portugal)
1926
Symbolia is designed to show off the power and effectiveness of using comics and illustration, in addition to video, sound and interactive animation, as a vehicle to deliver news and serious nonfiction storytelling.
The debut issue of Symbolia is based on the theme, “How We Survive,” and looks at a combination of environmental and social issues
Polgreen emphasized that Symbolia will showcase women cartoonists and each issue will focus on a theme of some kind, including the next issue’s theme, “We don’t belong Here,” which will look at issues around deportation and social ostracism. “Each issue will feature a mixture of visual storytelling with humor and stories with heart in an essayistic tone,”
In its pleasure in the repressed, art at the same time takes into itself the disaster, the principle of repression, rather than merely protesting hopelessly against it. That art enunciates the disaster by identifying with it anticipates its enervation; this, not any photograph of the disaster or false happiness, defines the attitude of authentic contemporary art to a radically darkened objectivity.
